Saturday, August 13, 2011

Nouveau Art is Thriving in Tibet

Most people get their information on Tibet based on declarations from Dalai Lama or his exiled followers residing in the west. Since these sources have not been to Tibet for decades, people can be expected to have at best a partial idea of what today's Tibet is like.

Those that have visited Tibet are likely to have a more well-rounded impression of what Tibet is like today. By touring various temples and souvenir shops, visitors would have been exposed to the richness of traditional Tibetan art embedded in religious objects and takeaway thangkas.

Very few, however, would know that there is such thing as modern Tibetan art and the art is dynamic and evolving in dramatic directions. My good friend, Dr. Cyrus Hui knows. A PhD economist and former banker, he became fascinated with Tibet, its culture and people, and he visits there often. He has written a historical fiction based on his Tibetan experiences.

He got to know some of the artists and had decided to help promote the new Tibetan art by opening an art gallery in Lhasa in late June 2011. See his eloquent discussion of the evolution of Tibetan art on the website of his gallery.

Many years ago, Cyrus was the first to recognize the universal appeal of paintings from Vietnam by artists trained in French impressionism. He bought the first collection of paintings back to Hongkong that became the seed for Galerie LaVong, the first gallery to launch its business exclusively on Vietnamese art.

Owned and operated by Shirley Hui, Cyrus' wife and good friend, the gallery in Lan Kwai Fong, has become the place where trendy new art is first unveiled. Prior to opening of the Lhasa gallery, a selection of Tibetan art was shown at Galerie LaVong with a gala in mid June. A selection of Tibetan art depicting its versatility and diversity can be seen at the end of the blog.

By opening an art gallery on Tibetan art, Cyrus is doing more than introducing today's Tibetan culture to the world. He is also explicitly saying: "Look, Tibet is a thriving place where its artists are free to experiment, innovate and create." Can we say the same for the residue of Tibetan culture eking out an existence in Dharamshala?







From top to bottom and left to right, the paintings are
Thousand Buddhas by Ang Sang
Story from Ruins by Penba
Deliverance by Sonlang Tsering
Longevity by Han Shuli
Shepherd Weavers by Bama Tashi

Posted with the permission of Cyrus and Shirley Hui.